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Louis Lcart
French (1880-1950)
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversi??re-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec.
Icart fought in World War I. He relied on his art to stem his anguish, sketching on every available surface. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. When he returned from the front he made prints from those drawings. The prints, most of which were aquatints and drypoints, showed great skill. Because they were much in demand, Icart frequently made two editions (one European, the other American) to satisfy his public. These prints are considered rare today, and when they are in mint condition they fetch high prices at auction.
Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honor?? Fragonard.
In Icart's drawings, one sees the Impressionists Degas and Monet and, in his rare watercolors, the Symbolists Odilon Redon and Gustave Moreau. In fact, Icart lived outside the fashionable artistic movements of the time and was not completely sympathetic to contemporary art. Nonetheless, his Parisian scenes are a documentation of the life he saw around him and they are nearly as popular today as when they were first produced.
In 1914 Icart had met a magical, effervescent eighteen-year-old blonde named Fanny Volmers, at the time an employee of the fashion house Paquin. She would eventually become his wife and a source of artistic inspiration for the rest of his life. Related Paintings of Louis Lcart :. | Summer shade | Anxiously look forward to | Cold autumn | Summer Bird | Half | Related Artists: Pietro Faccini(1562 - 1602 or 1614), was an Italian painter, active near his birthplace of Bologna in styles bridging Mannerism and the nascent Baroque.
According to Malvasia, the main biographer of the early Bolognese Baroque, he apprenticed in his twenties with the with Ludovico and Annibale Carracci. His style departs from the linear "Roman" quality assumed by his mentor, and has a more sparkling quality, influenced by Tintoretto, Correggio, and Bassano. His documented painterly output consists of about a dozen works. In 1590, he painted the Martyrdom of Saint Lawrence, now found in the church of San Giovanni in Monte (Bologna). He completed altarpieces for San Domenico and Santa Maria dei Servi in 1593-1594 and a Presepio in the Pinacoteca of Bologna. a. jernbergAugust Jernberg, född 16 september 1826 i Gävle, död 22 juni 1896 i Dusseldorf, var en svensk konstnär.
Han målade först porträtt och historiska, bibliska motiv, men blev på 1860-talet en genre- och även landskapsmålare. Bland de svenska Dusseldorfmålarna var han den främste koloristen.
Han studerade vid Konstakademien 1843-1846 och reste sedan till Paris, där han studerade under Thomas Couture 1847-1853. 1854 slog han sig ned i Dusseldorf och stannade där till sin död, men företog kortare studieresor. Han blev ledamot av Konstakademin 1865, men tillhörde 1885 opponenterna. Han var dessutom ledamot av Konstakademien i Dusseldorf.
Även hans son Olof Jernberg (1855-1935) var konstnär. Jan Gerritsz. van Bronckhorst (1603-1661) was a Dutch Golden Age painter and engraver. He is considered today to be a minor member of the Utrecht Caravaggisti group.
According to Houbraken, van Bronckhorst apprenticed as an eleven-year-old with the glass engraver Verburgh in Utrecht. He worked with him for 6 months and worked with two other Utrecht glassworkers before embarking on a Grand Tour in 1620. He did not get far before he was offered work in Arras by the glassworker Peeter Matthys. After six months, he continued on to Paris in 1620, where he worked with the glassworker Chamu. He returned to Utrecht in 1622, where Cornelis Poelenburg taught him to paint. He married Catalijntje van Noort in 1626. He frequented the studio of Gerard van Honthorst. In 1647 he moved to Amsterdam where he created the stained glass windows and the organ doors (almost the only area in a Calvinist church where figurative painting was sometimes allowed) of the Nieuwe Kerk (finished in 1655). He has been described as the last of the great stained glass painters in Holland.. Unlike his work for churches, his secular paintings show the influence of Caravaggio, and also show a striking appeal to sensuality. Among his pupils are counted his sons Jan Jansz and Gerrit Jansz, and Cesar van Everdingen.
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All the Albert Bierstadt's Oil Paintings
Supported by oil paintings and picture frames
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